Writer director Boaz Yakin has had an interesting career in Hollywood. He's always been, primarily, a write for hire. He has had very few personal projects, mainly sticking to studio work like Dirty Dancing: Havana Nights. Most of his work is... Let's be honest, mediocre and forgettable. It's not his fault, it's just that these are the dull projects they give him to work with. So what is one of his movies doing on a review labeled "must see movie downloads"?
This movie came after Boaz Yakin's self imposed exile. At a certain point, he became disillusioned with the film industry and declared that he would be taking a hiatus from writing, at least until he felt he had something important to say. The result was a movie that truly does make a powerful statement.
The film follows a young boy working as a drug mule for various mid-level dealers around the city. He makes anywhere from twenty to fifty bucks a run, and he's been storing that money in a coffee can by the railroad tracks. The money really adds up when you save it, and Fresh is saving it. For what? We won't say. Save to say that the way the movie plays out is really something.
Fresh spends one afternoon a week learning to play chess from his father, who is estranged from the rest of the family. These scenes are something like the Greek chorus scenes of the film, with Fresh reflecting on what's been happening and contemplating his next move.
When two of Fresh's friends are murdered by one of the street dealers he works with, and at the same time, his mother informs him that she's going to have to give a couple of them up for adoption, Fresh puts a brilliant scheme into motion.
The plan is complex, but easy to understand after you see the whole thing play out. Fresh's ingenuity is incredible, the way he plays one side against the other, all the while avoiding suspicion simply by virtue of being a child. They never suspect that they've been outwitted by a ten year old. So the question is how long he can keep the facade going, how long it takes to make everything work and free himself of these scumbag's control over his life once and for all.
The movie can be brutally violent and shocking, which drives home the reality of Fresh's situation. The villains are truly menacing, especially the young thug who typically gives Fresh his payments and is in a perpetual state of planning to kill somebody. Fresh is a hero who manages to remain pure, knowing where he can compromise and where he cannot.
It's a rare film that works this well with such touchy subject material. The film takes a child of ten years old and puts him into a Fistful of Dollars/Yojimbo style plot, scheming and plotting his way to victory over deadly, menacing criminals. It's incredible how delicate an operation this is, to make the movie exciting and suspenseful without selling short the reality and truth of the subject matter of real life street violence. - 39815
This movie came after Boaz Yakin's self imposed exile. At a certain point, he became disillusioned with the film industry and declared that he would be taking a hiatus from writing, at least until he felt he had something important to say. The result was a movie that truly does make a powerful statement.
The film follows a young boy working as a drug mule for various mid-level dealers around the city. He makes anywhere from twenty to fifty bucks a run, and he's been storing that money in a coffee can by the railroad tracks. The money really adds up when you save it, and Fresh is saving it. For what? We won't say. Save to say that the way the movie plays out is really something.
Fresh spends one afternoon a week learning to play chess from his father, who is estranged from the rest of the family. These scenes are something like the Greek chorus scenes of the film, with Fresh reflecting on what's been happening and contemplating his next move.
When two of Fresh's friends are murdered by one of the street dealers he works with, and at the same time, his mother informs him that she's going to have to give a couple of them up for adoption, Fresh puts a brilliant scheme into motion.
The plan is complex, but easy to understand after you see the whole thing play out. Fresh's ingenuity is incredible, the way he plays one side against the other, all the while avoiding suspicion simply by virtue of being a child. They never suspect that they've been outwitted by a ten year old. So the question is how long he can keep the facade going, how long it takes to make everything work and free himself of these scumbag's control over his life once and for all.
The movie can be brutally violent and shocking, which drives home the reality of Fresh's situation. The villains are truly menacing, especially the young thug who typically gives Fresh his payments and is in a perpetual state of planning to kill somebody. Fresh is a hero who manages to remain pure, knowing where he can compromise and where he cannot.
It's a rare film that works this well with such touchy subject material. The film takes a child of ten years old and puts him into a Fistful of Dollars/Yojimbo style plot, scheming and plotting his way to victory over deadly, menacing criminals. It's incredible how delicate an operation this is, to make the movie exciting and suspenseful without selling short the reality and truth of the subject matter of real life street violence. - 39815
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