In 1957, Stanley Kubrick directed a movie that would change the face of war as no one had seen before on the silver screen. Inspired to bring the novel by Humphrey Cobb he read in his school days to life in live action, Kubrick embarked on a journey to reveal the seedy underbelly of war that few people dare to think about. Paths of Glory sparked much controversy across the nation, and even in other countries, temporarily hindering the careers of Kubrick and the lead actors involved. However, when this taboo lifted, it only revealed the truth and irony of the film's message.
In an effort to please the politicians and civilians who grow tired of a lasting stalemate between French forces and invading German troops, The French General Staff devises a foolhardy idea. The normally reasonable general in charge of the forces the plan pertains to convinces himself that it is a plausible idea after the possibility of his promotion is mentioned. He relays this to the colonel overseeing the deadly World War I trench, and the colonel sees the sad truth surrounding the hopeless mission, without the ability to take action against it.
The film takes a subtle, and realistic by today's standards, approach to the telling of a war story. The characters drive the plot forward without prompt from the external enemy, but rather from the inhumane judgments and justifications of their own seats of power. A depth exists in every private, general, and rank in between, along with the interactions between them. This is why the movie is a popular choice for teachers to assign their students to analyze and write about it for critical thinking.
Despite the colonel's best efforts to rally his troops and fulfill the order given by the general, everyone in the company feels a looming sense of failure. Made concrete by the quick slaughtering of just about every man who leaves the trench, many stay behind, positive there is no way to win. The observing general then accuses the regiment of cowardice, and three men are chosen to take the blame for the French failure. The judgment that ensues is the main motivation for the story, and just like the attempted attack, takes the characters down a dark journey in which no one can see a light at the end.
The drama of this warning tale is effectively told through the medium of black and white film, giving the audience just as much emotional depth and drama as a film in full color. Though the art of using black and white is almost obsolete, some artistic directors and photographers still utilize its stark effect to convey the film noir style from the days before color and for its ability to create extreme contrasts. For example, in Paths of Glory, Kubrick utilizes the pitch black and dark gray in the trenches to contrast with the bright white within the overly elaborate and comfortable military headquarters.
One technical issue that many in today's audience may notice is the tendency of the characters to pace around the room during thoughts and speech, sometimes to an unrealistic extreme. The reason for this is to keep the feeling of motion alive while characters are set in lengthy conversations. With the limited ability to move the camera itself due to the touchy nature of lighting at the time, shot diversity depended on the actors' theatrical movements and gestures to stay interesting.
By following the story of three soldiers doomed to death by their superiors for unjust causes, the French and many other European countries banned the movie for many years before cultural policies on such material loosened. Film critics acclaim it as the first challenger to the idea that war is completely honorable and glorious. The ironic and emotional journey the plot takes leave audiences with both warnings and questions about those in power, and the motives behind making enemies out of those who should be allies.
Paths of Glory was highly critically acclaimed, though its box office profits were minimal. The moral behind the story lingers on with relevance as questions of human sacrifice for the sake of political war is more heavily disdained as generations pass. The movie is often used today as a critical thinking and discussion tool for English classes and Film classes alike, sharing the universal challenge of fate and orders for a long time to come. - 39815
In an effort to please the politicians and civilians who grow tired of a lasting stalemate between French forces and invading German troops, The French General Staff devises a foolhardy idea. The normally reasonable general in charge of the forces the plan pertains to convinces himself that it is a plausible idea after the possibility of his promotion is mentioned. He relays this to the colonel overseeing the deadly World War I trench, and the colonel sees the sad truth surrounding the hopeless mission, without the ability to take action against it.
The film takes a subtle, and realistic by today's standards, approach to the telling of a war story. The characters drive the plot forward without prompt from the external enemy, but rather from the inhumane judgments and justifications of their own seats of power. A depth exists in every private, general, and rank in between, along with the interactions between them. This is why the movie is a popular choice for teachers to assign their students to analyze and write about it for critical thinking.
Despite the colonel's best efforts to rally his troops and fulfill the order given by the general, everyone in the company feels a looming sense of failure. Made concrete by the quick slaughtering of just about every man who leaves the trench, many stay behind, positive there is no way to win. The observing general then accuses the regiment of cowardice, and three men are chosen to take the blame for the French failure. The judgment that ensues is the main motivation for the story, and just like the attempted attack, takes the characters down a dark journey in which no one can see a light at the end.
The drama of this warning tale is effectively told through the medium of black and white film, giving the audience just as much emotional depth and drama as a film in full color. Though the art of using black and white is almost obsolete, some artistic directors and photographers still utilize its stark effect to convey the film noir style from the days before color and for its ability to create extreme contrasts. For example, in Paths of Glory, Kubrick utilizes the pitch black and dark gray in the trenches to contrast with the bright white within the overly elaborate and comfortable military headquarters.
One technical issue that many in today's audience may notice is the tendency of the characters to pace around the room during thoughts and speech, sometimes to an unrealistic extreme. The reason for this is to keep the feeling of motion alive while characters are set in lengthy conversations. With the limited ability to move the camera itself due to the touchy nature of lighting at the time, shot diversity depended on the actors' theatrical movements and gestures to stay interesting.
By following the story of three soldiers doomed to death by their superiors for unjust causes, the French and many other European countries banned the movie for many years before cultural policies on such material loosened. Film critics acclaim it as the first challenger to the idea that war is completely honorable and glorious. The ironic and emotional journey the plot takes leave audiences with both warnings and questions about those in power, and the motives behind making enemies out of those who should be allies.
Paths of Glory was highly critically acclaimed, though its box office profits were minimal. The moral behind the story lingers on with relevance as questions of human sacrifice for the sake of political war is more heavily disdained as generations pass. The movie is often used today as a critical thinking and discussion tool for English classes and Film classes alike, sharing the universal challenge of fate and orders for a long time to come. - 39815
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